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Deep Wood Estate the original photo |
The photo above is from the collection of images I have on my laptop. It is part of a larger panoramic view. I chose it because I liked the shape made by the dark trees in the centre, the curve of the hill behind and the distant view on the left.
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Image drawn with bamboo pen |
In my drawing I distorted the original image to reduce the size of the road as I thought that the big area of road was boring. I brought the grapevines on the right in close to the viewer so I could utilise the chaos and pattern of the vines. I raised my viewpoint so I was looking down on the vines on the left and brought the central trees in really close. In doing so I changed the shape of the image to match the shape of my Arches 76 by 56 cm paper.
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Initial colouring with oil pastel |
I coloured the image with oil pastels trying to create pattern and using a basic colour scheme of red/orange to violet/blue. I am more concerned about tonality than colour with the yellow/orange colours the lightest (apart from some white) toning through the reds to the dark blue violets.
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Studio on the verandah |
I do a lot of my work on the verandah as it is cool there and I can interact with people passing along the street. The houses here are nearly all open to the street and people wander in and out in a very informal manner.
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Tricky stage |
After getting the painting just right I destroy it by covering it with ink which I partially wash off.
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Nearly there |
Then I scrape back into the ink covered pastel and rework the whole thing. While I lose some of the colour and brightness of the image I gain in depth and interest in the image. Also it is a challenge to recover the painting and almost a learning process as I get to know the work better.
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